This series of photographs with all the dirt, dust, specs and scratches left on a negative to be visible after
scanning is an exploration of intricate dialogue between the process and the subject. While still in its raw format the process itself is easily becoming part of the subject thus creating an
ambiguous connection and a whole new potential to the story that already exist by constantly
floating and interacting between different dimensions.
Featured in" The Learned Pig", Contemporary UK Journal, http://www.thelearnedpig.org/dirty-dozen/1988
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